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Hier ein Ausschnitt aus der Rezension von thewrap.com.
You either make a leap and strive to seem like these words come naturally to you or you don’t, and most of the players pass this test, particularly Stewart, who has a nearly film-stopping monologue in a counselor’s office where she unloads all of her character’s rage and resentment about life.
Nelson shows his skill with performance in this scene, letting Stewart go as deep and as hard as she can into Sophie’s darkest feelings. Stewart’s Sophie is so despairing about what she sees around her that she has taken to burning herself with a curling iron in order to feel some control over her life, and Stewart makes this self-punishment seem gruelingly convincing and necessary.
Stewart is so tough and harsh here that she throws “Anesthesia” a bit off balance. What she does in her scene with the counselor is so riveting that it’s disappointing to go back to Mol’s and Stoll’s characters, neither of whom have much of a reason to be here except as ensemble window dressing.