KRISTEN - Neues Photoshooting mit Harper's Bazaar

Hoffen wir mal, dass der Post hier nicht im ganzen Rob-Meer untergeht 😊 Denn hier gibt's das erste große Cover-Shooting mit Kristen seit sie sich die Haare abrasiert hat..

 Aber ohne groß auf Kristens derzeitige Frisur einzugehen, können wir ja mal die Outfits loben. Denn die sind wirklich wunderschön (alle von CHANEL). Sie sehen sehr verspielt und feminin aus, sowas steht Kristen einfach super!

Lieblingsoutfit <3

 Und hier gibt's den Artikel zum Nachlesen.

 Quelle

Kristen ziert die ELLE USA!

"ELLE - THE WOMEN IN HOLLYWOOD ISSUE"

Und zusätzlich gibt's auch schon ein BTS-Video, wo die auf dem Cover erwähnten Schauspielerinnen nach ihrem Lieblingsfilm ihrer Kindheit gefragt werden. Da der Youtube-Kanal, auf dem das Video gepostet wurde, sehr unseriös aussieht, betten wir das Video nicht ein, ihr könnt es auch aber trotzdem hier anschauen. 

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Kristen + Fashion, Post 3

Und als ob das nicht schon genügend Impressionen für heute sind, legen wir gleich noch einen drauf: In der nächsten Ausgabe des "New York Times Style Magazine" wird Kristen wohl eine große Rolle spielen.. ;)

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Kristen für die ELLE China - WOW!

Kurze Info vorab: Ich war heute beim Zeitungskiosk meines Vertrauens am Hauptbahnhof - Die ELLE UK mit dem tollen Photoshooting und dem noch tollerem Interview gibt's jetzt zu kaufen :) Und außerdem hab ich zufällig noch die Zeitung "Filmcomment" entdeckt - musste natürlich auch gekauft werden! Immerhin ist es eine 4-seitige Lobeshymne auf Kristen <3

So, nun zum eigentlichen Highlight des Tages: Es gibt (mal wieder) ein neues Kristen Photoshooting - und was für eins! Ich hätt' ja nie gedacht, dass ich das mal sage, aber ich liebe Kristens Haare auf diesen Fotos *__* Die Outfits sind eine coole Mischung aus ihrem eigenen Style und Highfashion Chanel Kleidern :) 

Die Bilder haben irgendwie so einen schönen Filter und Kristen wirkt wie eine Porzellanpuppe oder eine Statue aus Marmor, oder? Und alles wirkt so gestochen scharf! 

Ein Interview soll wohl auch in der Ausgabe sein, allerdings sind wir alle 3 nicht der chinesischen Sprache mächtig und müssen so noch auf eine englische Übersetzung warten..

Nur eins ist mir nicht ganz klar: Sie trägt bei keinem der Bilder einen BH, nur auf dem hier, und dann ÜBER dem Kleid? Fashion ist unlogisch ^^

 

Vielen Dank an die brasilianische Fanseite KStewart BR! 

ELLE UK - das komplette Interview mit Kristen

Einen ersten Einblick auf das große Kristen-Interview haben wir euch bereits vor ein paar Tagen geliefert. Nun ist die ELLE in Großbritannien erschienen und somit auch der komplette Artikel plus Interview. Wie schon in der "Vorschau" rauszuhören war, spricht Kristen erstaunlich offen über ihr Privatleben und auch über ihre Schlafstörungen. Die Interviewerin, Lotte Jeffs, scheint mit Kristen schnell auf eine Wellenlinie gekommen zu sein. Auf ihrem Instagram-Account postete sie dieses Bild und schrieb ein paar schöne Worte.. <3

"

In June I went to Los Angeles to interview Kristen Stewart for ELLE UK's September issue cover. As my Uber dropped me at the door to her house and drove off, I got a message to say our meeting had be pushed back an hour. I was stranded at the top of a hill in an affluent gated community in the mid-day heat, wearing a boiler suit which in retrospect must have made me look even more suspicious as I trekked back down the hill past palm-fringed mansions with scary dogs outside that barked aggressively at me. I then had to squeeze myself through a gap in the gate to exit, because this being LA, it only opened for vehicles. With 30 minutes to kill and no coffee shops within walking distance I sat, sweating, on a patch of grass by the side of the road, looking like some kind of escaped convict. Needless to say by the time I made it back up to Kristen's front door I was a hot mess, but she welcomed me in, gave me a cold glass of water in a jam jar (of course) and then we hopped in her car to run some errands, which included going to vote for the Democratic nominee. An hour or so later, back in her living room, drinking iced lattes we got to talking. I found Kristen great company; funny, bright, engaging and best of all happy and grounded. We talked about her work, including her first foray into directing, how she overcame anxiety and her love for her girlfriend- who she told me is not, nor has ever been her personal assistant

Sie begleitete Kristen erst zum Wahllokal der Wahl des Präsidentschaftskandidaten der Demokraten (bei dem Kristen übrigens Bernie Sanders wählte), und danach lud Kristen sie noch zu sich nach Hause ein. Generell finden in ihrem Haus wohl meist die Partys statt ^^ Lustig auch, dass man bei Kristen Getränke aus Marmeladengläsern trinkt - wie hipp ist das denn? :P

Besonders gelungen finde ich diese Worte am Ende..

"Kristen Stewart may have just voted for the first time, but in her own small way, I think she's already changing the world." - In diesem Sinne: Viel Spaß beim Lesen! (Einfach auf das Bild klicken)

Vielen Dank an Team Kristen Site für die digitalen Scans! 

Variety Spezialausgabe zum Cannes Film Festival 2016

Einer geht noch, einer geht noch rein - oder aber auch: auf eins kann ich noch drauf :D Kristen ziert ein weiteres Magazin als Covergirl. Dieses Mal ist es die Spezialausgabe von Variety für das Cannes Film Festival.
Ich bin hellauf begeistert! Dieses rote Kleid - ihre Haare - das Make Up...für mich einer der besten Looks in blong "so far" ;)

Das Interview zum Shooting wurde heute auch schon veröffentlicht. Nachlesen könnt ihr es bei Variety. Einen ganz kleinen Einblick bekommt ihr jetzt:

After taking 18 months off following the release of the final “Twilight” film in 2012 — “it was such overexposure,” she says — Stewart returned with a vengeance to making movies. Her résumé is now loaded with edgy and experimental indie titles, and she’s racked up frequent-flier miles by traveling to film festivals. She kicked off 2016 at Sundance with Kelly Reichardt’s “Certain Women,” in which she plays an adult-school teacher who has a bittersweet relationship with a student (Lily Gladstone). She’s the lead in Drake Doremus’ “Equals,” a dystopian love story that debuted at Venice and will open in theaters July 15. She just finished a pivotal role as the sister of a conflicted Iraq war hero in Ang Lee’s “Billy Lynn’s Long Halftime Walk,” which debuts in the fall.

 And she has two movies at this week’s Cannes Film Festival: Woody Allen’s opening-night comedy “Café Society,” where she portrays an Audrey Hepburn-like 1930s secretary; and Assayas’ “Personal Shopper,” an eerie ghost story in which she appears in every scene. “She was playing what I wrote, but taking it to another dimension,” Assayas says. “That’s the most exciting thing you can witness.”

via source

Kristens Pre-Cannes Update

In gut einer Woche geht es los: Die Cannes Film Festspiele beginnen! Und Kristen ist in den französischen Medien gerade überall! Die Franzosen lieben sie wirklich :) Daher gibt's hier mal einen kleinen Überblick von allem:

1. Kristen in der Marie Claire

 Das übersetzte Interview findet ihr nach dem *Klick*

2. Kristen auf der Le Monde (Das Interview ist noch nicht raus)

 Die Fotos sind toll aber warum zum Teufel ist denn ihre Hose auf..? -.-

3. Neue Stills zu PERSONAL SHOPPER & CAFÉ SOCIETY

4. Kristen auf dem Cover des ILLIMITÉ Magazin (+ Interview)

Bella Ciao?

Made more ‘feminine’ in Woody Allen’s Café Society, is Kristen Stewart saying goodbye to her legendary ability of seducing as an evanescent tomboy? Not likely.

By Anouk Brissac | Photos by Sabrina Lantos

Woody Allen wanted her more feminine than ever. Bare legs under very short skirts at times, covered by a sheath sometimes or with a fur stole over the shoulders. In Café Society, we are far from Bella’s eternal hoodie (Twilight), the gothic princess who turned her into a star – the same she wears like a second skin in her “real life”, prefering grunge rags rather than the razzle-dazzle of a pretty girl. But if Allen managed to turn her into a coquette doll, he’s faced with a reality about the actress: She’s totally indifferent to the noise she creates with her beauty, yet deafening. She imposes, against all dogs and everyone filming, to keep a low profile when it comes to her ability to seduce spectators, in the blink of a mint-colored eye, covered by a dark strand of hair. So yes, when Vonnie appears in Café Society, it’s immediately implied that she will be (once again) the object of every desire. That every man in the story will fall into her arms or into a deep sadness if she doesn’t want them. But quickly, the discreet and passive nature of the actress that we love and are looking for takes the upper hand. And we’re faced again with the tomboy with the worried eyes, this young and awkward look, and that sweet smile that gives Stewart a power which borders on bewitchment, on a spell and even on the pain implied by every attractive slaps. ** [**Loose translation] Even more deafening because of how harmless it is.

———————————————————————-

“K-Stew” is the new muse of Mister Woody, who makes her the irresistible bait of Café Society, confirming the legitimacy of the 26 year old megastar in arthouse cinema. Illimité called her in Los Angeles to debrief her. Let’s go Kiki.

ILLIMITE: You’re now with Woody Allen! It’s the ultimate consecration and legitimization, isn’t it?

KS: When I did the audition, my first big challenge was to beat my lack of confidence. I was terrified at the idea of working with such a huge cornerstone, and in his universe which is so singular, with his own “alien” vocabulary. If you can’t understand his codes, it’s over. I auditioned without having read the script, without knowing what the film was about. I was just given a piece of paper with some dialogue. But you know, a Woody Allen film is so well-written, so smart…

ILLIMITE: Did he doll you up, like “the new shiny toy”?

KS: His film are like a genuine form of luxury craftsmanship, he’s like a master craftsman. On set, he brings you into his world. He does everything in his power for you to be at ease, to have fun, so much that at the end of the day, you don’t feel like you were working.

ILLIMITE: I would like to come back on what you said: you still audition for roles?!

 

KS: Yes! My character, Vonnie, you can’t get farther away from the character I’ve played in the past. She’s soft, bubbly, she has qualities that I don’t naturally give off. I imagine he wanted to see if I was capable of playing them. You know, I don’t mind having to audition. It’s rare but I wouldn’t mind if I was asked to do them more often. I like to prove to myself that I earned what I have. And it gives you confidence to know that you were picked after being judged on your own right.

ILLIMITE: It’s true than Vonnie is happyy and ingenuous, she twirls around in short skirts with a bow in her hair. It will be a change for the public that knows you as mysterious and quiet..

KS: Again, it’s so well-written that I didn’t have much to do to get into those skirts. I worked on my Californian accent and tried to stay as natural as possible, not “cartoonish”. And mainly, I had Jesse (Eisenberg) as a partner, with whom i’ve already done a few films (Adventureland in 2008 and American Ultra in 2015). We’re friends, we saw each other grow up on three different sets. It’s funny by the way, to see the evolution of the three couples we formed, from young innocent teens, to two people who are faced with the harsh reality of life and bad sentimental choices. Between us, it’s easy. We can get vert nerdy together. So, i’m at ease with him. I’m not ashamed of anything, it’s THE partner with whom I can relax.

ILLIMITE: It’s harder because you have no technique to hold onto if you mess up. You’ve always said you never took acting classes, never worked with a coach and liked impro better…

KS: I’m not against it, it’s just that until now, none of my roles have required the help of a coach. If i got one that would need me to access emotional zones that I’ve never explored, I would think about it. But even rehearsing too much bothers me. They destroy what I can give when the camera is rolling, the vertigo of that first take. They kill the reality, the moment, then we fall into a rehearsal of life, and then I don’t think about how everything is “fake”. To be coaches, it’s like doing a therapy. You end up knowing yourself so much that you’re faced with a situation, you know which buttons to push to get the right reaction. This intentional aspect of things bothers me. I need to tremble with fear, with stress, with energy, not to be well-prepared, ready and confident. Is that unprofessional? No, that’s how I’ve built my career so it’s working for me. For now at least! (Laughing)

ILLIMITE: Café Society shows the cruelty in Hollywood, the celebrity, the star system, the downsite of your job that you’ve publicly criticized. Already, in Sils Maria by Olivier Assaya, as the assistant of a celebrity, you were basically already telling them “Fuck You!”…

KS: I’m not saying ‘Fuck you’ to celebrity. I love my job, and yes, I’m not fond of what’s on the side but you know, movies and what we say in them, it’s fiction… It’s fake.

ILLIMTE: True but even then. RP and you became international stars with Twilight. The saga over, he is playing a crazy limo driver in Maps to the Stars while you’re doing Sils Maria and soon, we’ll see you in Personal Shopper with Assayas again, where you’ll be again at the service of a celebrity. You don’t think it says anything to people?

KS: Maybe those characters done by another actress wouldn’t have seemed so relevant, this is true. If a director wants to talk about that, then yes, it means something that he’s giving these roles to people who know what it means to begin with, who really lived in it. Olivier and Woody Allen got that…

ILLIMITE: After Twilight, these type of directors, did you realize you wanted to get closer to them and work with them in order to erase the impact that Bella Swan had?

KS: I’ve never done anything with this goal in mind, even If i’m aware that this aspect of things is really strong. In my choices, there’s also the “life” aspect. Even if a film is not that good, if it allows me to feel something, I go for it, without necessarily caring to see if i’m going to be in a masterpiece. There is no strategy or cautious choices in my career.

ILLIMITE: But it’s important to be supported by the intelligentsia...

KS: I’m aware it’s cool to be associated to these type of directors. As an American Actress, to be able to work away from home, it’s a real chance. There is a real difference with the United Stated. It’s the fact that you take risks and you’re motivated. Like Olivier, they don’t sell their souls. In france, people don’t make films for money or to become famous, they do it because they are passionate, they’re full of it, because it’s needed and uncompromising.

ILLIMITE: Thanks on her behalf. She repays you in spades since Cannes selected Café Society and Personal Shopper… 

KS: It’s my favorite red carpet in the whole world. You know why? Because you don’t have to talk to anybody and nobody talks to you, you don’t walk the stairs alone but with the whole cast and the director. You watch the movie and as in the room, you can feel all the prestigious ghosts from the past, even if everybody hates the film, it goes well. It’s great.

CAFE SOCIETY out on May 11th in France and opening the Cannes Film Festival.

 Sources:
 1. Marie Claire Fotos & Interview via www.itsoktobeyou.org
 2.  Le Monde Fotos via twitter
3. Cafe Society Stills / Personal Shopper Stills
4. Illimité via kristenstewartdailynews

Nach dem Klick gibt's noch das komplette Marie Claire Interview (engl. Übersetzung)